All dimensions are in inches, height x width x depth. Unless otherwise noted, works are from the collection of the artist.

Ray Abeyta His virtuoso paintings include the depiction of a contemporary Latino cabinet of curiosities. Distilacion, 1998 Oil on linen, 38 x 46
Bodegon Curioso, 2000 Oil on linen, 42 x 56
Stephan Apicella-Hitchcock Represented by a comprehensive selection of photographic and photo-collage works and artists' books examining unusual subjects such as mortuary studies and autopsy tools. Artist's Books, 1986-2000 Mixed media, varying dimensions
Autopsy Tools: Satterlee Bone Saw, Virchow Skull Breaker, Snips, Postmortem Hammer, Curved Needle, Rib Shears, Retractor, 1999 Severium-toned gelatin silver prints, each 14 x 11
Facial Reconstructive Surgery, 1999 Severium-toned gelatin silver prints, 13 ¼ x 11 ¼
Core Samples, 2000 Ink jet prints, wood, melamine, 151 x 1 5/8 x 1
Inverse Relationships, 2000 Magazines, J.Crew catalogues, matte medium, 36 x 50 ¼
John Boone Exhibiting photo documentation of a project from Germany entitled "Just Wondering." Just Wondering, 1999 Photograph, 36 ½ x 54 ½
Ralph M. Bourque, II Shares his remarkably obsessive collection of Stevie Nicks memorabilia consisting of objects, photos, and ephemera gathered over a twenty-year period. Collection of Stevie Nicks Memorabilia, 1974 – 2000
Carrie Cooperider Presenting a sculpture incorporating her grandmother's European toilet paper samples. The Katherine Evans Cooperider European Toilet Paper Collection (from the Ethel L. Mumma European Wing of The Mundaneum/World Museum), 1995 Wooden case with map and three frames displaying toilet paper collection, 13 x 20 x 29 ½
Josh Dorman Exhibiting a fifteen-year accumulation of his own nail clippings. Collection of Nail Clippings, 1984 – 2000
Takuji Hamanaka Whose paintings portray a complex network of biomorphic structures. Untitled, 1997 Acrylic on paper, 60 x 47
Untitled, 1997 Acrylic on paper, 59 ¾ x 46 ½
Annie Herron Displaying her dazzling collection of hundreds of earrings, a compendium of many decades worth of costume splendor. Collection of earrings, 1967-2000
Patrick Jacobs Whose dioramas in the gallery's walls depicting subterranean life are based on the Ortho Pesticide Company's manual. Untitled #10 (from the series The Ortho Rooms), 2000 Paper, paint, concrete, wood, glue, lighting, 15 x 20 (inside wall)
Untitled #11 - 13 (from the series The Ortho Rooms), 2000 Paper, paint, wood, concrete, mirrors, glue, lighting, 10 x 15
Kristy Knight Whose glassine paper automaton eerily levitates in the main gallery space. When they removed..., 1995 Glassine, monofilament, motor, 20 x 72 x 24
Hide, 1998 Skinned chair (Upholstery fabric, felt and wood), 88 x 60
Laura Larson Exhibiting a series of black and white photographs documenting butterfly specimens. Untitled #12,7,4,3,1,9 1995 Gelatin silver prints, Each: 16 x 20
Miranda Maher Who maps her dreams on a thirteen-foot paper river. River & All Remembered Dreams, 1997 Xerox and Ink on Kita Kata Paper, 96 x 164
Tears Shed at an Anonymous Man's Funeral, 1992 Mixed Media, 10" x 15"
Gabriela Micchia Bizarre and colorful sculptures suggest a new breed of recombinant body parts. Defective Rarities, 1999 - 2000 Mixed media, varying dimensions
Antonella Piemontese Whose exquisitely crafted "Personal Safety Wardrobe" includes wearable and non-wearable apparel forms, expressing "survival, perception, and categorization." Moldy Ravioli, 1997 Acrylic on stuffed fabric, string, plastic tray, 10 ½ x 7 ½ x 1
Rolled Cheese, 1995 Ink on stuffed fabric, twine, 81 x 5 x 5
Strike Through Protection, 1998 Ink on cotton, 27 x 14 x 5 ½
Minimal Exposure Incident, 1998 Ink on cotton, 33 ½ x 25 ½ x 5
Permissible Exposure Limit, 1998 Ink on cotton, 41 ½ x 19 x 5
Lateral Safety Shoulder Guard, 1998 Ink on cotton, 11 x 27 x 7
Incoming Thought Protection, 1998 Ink on cotton, 12 x 8 x 7 ½
Cross Contamination Hood, 1998 Ink on cotton, 12 x 8 ½ x 7
Aged Source (bundle), 1994 Ink on stuffed linen, string, twine, 50 x 5 x 3
Aged Source (describe), 1994 Ink on stuffed linen, string, 46 x 1 ½ x 1 ½
Tied Dynamite, 1994 Ink on stuffed linen, twine, 24 x 2 ½ x 2 ½
Knotted Tool, 1997 Ink on stuffed linen, string, 22 x 10 x 2 ½
Appendage Strap, 1998 Ink on linen, 34 x 6 x 5
Jeffrey Schiff Who will present a selection of sculptures in the Rotunda Project Room inspired by the Encyclopedias of Diderot. from L'ENCYCLOPÉDIE: miroitier, 1998 Mixed media (wood, glass, etc.), dimensions variable
from L'ENCYCLOPÉDIE: miroitier, 1998 Digital C-print, 20 x 16
Transparency #1-4, 1996-8 Glass, 28 ½ x 17 x 6 ½;32 x 11 x 5; 41 x 8 x 4 ½;18 x 16 x 8 Lampwork by Sally Prasch
Bill Schuck Whose "Disarticulated Bird," is a feather-by-feather re-presentation of a natural specimen. Found; Finch, 1999 Feathers, wool felt, aluminum, glass, 26 x 34 x ¾
Howard Schwartzberg Whose works on paper are the amazing results of a collaboration between worms and the artist. Spiral Worms 1 - 6, 1999 Bloodworms on paper, each: 14 ½ x 11 ¼
Karen Shaw Displaying her stupendous collection of globes. Collection of globes, 1986-2000
Deborah Simon Exhibiting highly crafted paintings that illustrate idiosyncratic views of mythic deities. God is Dead: Ganesha, 1999 Oil on wood, 11 x 12
God is Dead: Odin and Sleipnir, 1999 Oil on wood, 13 x 15
God is Dead: Yamantaka, 2000 Oil on wood, 42 x 48
Rodger Stevens Displaying a sample of his collection of vibrant and inventive stickers collected from the streets of New York. Peeled From the Street #7, 8, 10, 12, 2000 Stickers, labels, etc. mounted on board, 30 x 40; 25 x 41; 20 x 30; 30 x 30
Mary Temple Whose sculptural installation "One Hundred Miniature Cakes" combines her sophisticated painterly skills with the craft of cake decoration. 100 Cakes, 1999 Cardboard, Styrofoam, modeling paste, acrylic paint, polyester spackle, acrylic gel medium, handmade paper, confectioners sugar, dimensions variable
Penelope Umbrico Whose photographic assemblages transform mundane consumer goods into compelling visual confections. Untitled (Ends of Things), 1995-7 C-prints and plexi glass, each panel: 14 x 60
Joanne Ungar Exhibiting an intriguing crystalline canoe paddle etched with a zoological illustration. Leech Paddle, 1999 Polyester Resin and Ink, 57 x 7 x 1 ½
Jeffrey Wyckoff Exhibiting a series of anatomical painted charts and a collection of photo-enhanced glass slides and lab dishes. Frog, 1998 Pigment on paper with wood support, 76 x 42 ½
Cat, 1999 Pigment on paper with wood support, 76 x 42 ½
Double Portrait Series: Lab Techs 1-6, 1999 Places We Live 1-6, 2000 Photo-transfer on petri dishes with agar and bacteria, each: 100mm diam.
Examination of Line and Structure, 1995 Female Nude, 1995 Examination of Reproduction, 1996 Examination of Objects, 1995 Each: Photo-transfer on 20 microscope slides in slide folder, 14 x 17
Body Language, 1994 Photo–transfer on 80 microscope slides in slide box, 1 x 14 x 12
Pablo Ellicott Yglesias Whose brilliantly beaded forms are inspired by Santeria religious practice. The Hunter and the Hunted: Babalu/AIDS, 1994 Taxidermy form, beads, shells, plaque, 20 x 14 x 19
Indian/Babalu, 1997 Beads, plaster, crutch, plastic heart, 42 x 18 x 14
Planter/Chango, 1995 Beads, plaster, cigars, bottles, 16 x 35 x 35
Puritan/Oya, 1995 Beads, plaster, broom, 25 x 22 x 22
Witch/Legba, 1995 Beads, plaster, cardboard, feathers, 27 x 24 x 24
Daniel Zeller Represented by his finely wrought pencil drawings that describe fragments of imaginary micro and macrocosmic worlds. Coupling II, 1998 Graphite on paper, 12 ½ x 10
Terminal I, 1997 Graphite on paper, 12 ½ x 10
Receptacle, 1998 Graphite on paper, 15 x 12 ½
Tubeshank, 1998 Graphite on paper, 12 ½ x 10
Grid, 1999 Graphite on paper, 13 ¾ x 11
Spasm, 1999 Graphite on paper, 13 ½ x 10 ½
Hamlet, 2000 Graphite on paper, 11 ½ x 9
Fieldwork, 2000 Graphite on paper, 11 ½ x 9
Local Storage, 2000 Graphite on paper, 14 x 11

The Rotunda Gallery is a project of BRIC/Brooklyn Information & Culture, Nanette Rainone, president.